<div style="color:black;font: 12pt Arial, Helvetica, sans-serif;">I don't want to derail this thread, but since you mentioned jitter ... I wonder how many designers have considered how microphonic a crystal oscillator is, which translates into jitter of a reference clock when the gear is in the listening environment.  And then there are the ubiquitous ceramic capacitors, some of which are highly microphonic. And, as long as digital signals have finite rise and fall times, jitter will always translate into amplitude aberrations (spectral impurity) downstream.  Ditto for common-mode noise issues in digital signal interconnections.  Just a little food for thought ...
<div><br>
</div>

<div>Bill Whitlock<br>
<br>
<br>

<div style="font-family:arial,helvetica;font-size:10pt;color:black"><font size="2">-----Original Message-----<br>
From: Bob Katz via ProAudio <proaudio@bach.pgm.com><br>
To: proaudio@bach.pgm.com<br>
Sent: Mon, Jun 14, 2021 7:42 am<br>
Subject: Re: [ProAudio] Microphones question<br>
<br>

<div id="yiv6022184408">
<div>
    
<div>Dan: As you can see, there are so many variables, that all we can
      do is an approximation using 150 ohms, in order to come up with an
      EIN value for the preamp, which will be an approximation. Feel
      free to specify alternate EIN values in the preamp spec sheet in
      addition to the widely-accepted 150 ohms, for example, with 50 ohm
      source at 40 dB gain. Maybe it will help characterize your preamp
      better to the reader. Maybe someone will discover that all
      microphones should have a lower output impedance to get better
      performance. <br clear="none">
    </div>

    
<div>But as Scott pointed out, why not eliminate the issues and go
      with a digital output microphone. My concerns there are jitter.
      But there are ways around that with a superior PLL at the
      receiving end. <br clear="none">
    </div>

    
<div><br clear="none">
    </div>

    
<div><br clear="none">
    </div>

    
<div>Best wishes,</div>

    
<div><br clear="none">
    </div>

    
<div><br clear="none">
    </div>

    
<div>Bob</div>

    
<div><br clear="none">
    </div>

    
<div><br clear="none">
    </div>

    
<div><br clear="none">
    </div>

    
<div class="yiv6022184408yqt7745746079" id="yiv6022184408yqtfd87901">
<div class="yiv6022184408moz-cite-prefix">On 6/11/21 10:49 PM, Dan Lavry via
      ProAudio wrote:<br clear="none">
    </div>

    <blockquote type="cite">
      </blockquote></div>
</div>

<div class="yiv6022184408yqt7745746079" id="yiv6022184408yqtfd46295">
<div>
<div>Hi Bill, <br clear="none">
      </div>

      
<div>I am not trying to change the standard. Certainly not before I
        have the understanding of what is going on. Of course in an
        ideal world, each mic would come with an impedance information.
        In a somewhat less ideal world, each mic would come with, at
        least, the best resistor value. But here we are stuck to the
        "typical" old dynamic mic.</div>

      
<div>I know that most people don't understand technical details, and
        it will confuse customers. But I am not talking to customers
        here, or level playing field. I asked the opinion of mic
        experts. I want to know what real impedance levels are. That is
        really all I want to know. So far, I learned about the 150 Ohm
        relation to the old dynamic. There must be more information, I
        thought I would start here.</div>

      
<div>Thanks for all the comments</div>

      
<div>Dan Lavry<br clear="none">
      </div>

      
<div><br clear="none">
      </div>

      
<div class="yiv6022184408moz-cite-prefix">On 6/11/2021 6:47 PM, Bill Whitlock
        via ProAudio wrote:<br clear="none">
      </div>

      <blockquote type="cite">
        </blockquote></div>
</div>

<div>
<div class="yiv6022184408yqt7745746079" id="yiv6022184408yqtfd14793">
<div style="color:black;font:12pt Arial, Helvetica, sans-serif;">How would you propose testing and specifying
          equivalent input noise for mic preamps?
          
<div><br clear="none">
          </div>

          
<div>Using the 150 Ω dummy source at least levels the playing
            field, even though it's not accurately predictive for all
            mics.  Specifying e and i noise separately (and their own
            spectrum, if you're going to be rigorous) will further
            confuse buyers - most of whom can barely understand why a
            shorted input is unrealistic.</div>

          
<div><br clear="none">
          </div>

          
<div>As I recall from my tests of the SM57, its impedance
            varied from under 150 Ω at very low frequencies to over 300
            Ω at resonance - and continued to rise at higher
            frequencies.  I'll try to find the data - I did the tests as
            research before writing Jensen AN-005 about mic splitters.</div>

          
<div><br clear="none">
          </div>

          
<div>If you want to change this, I'd encourage you to join an
            AES standards committee and make your case.  Membership in
            working groups is open to all.  Working group SC-05-05 is
            currently trying to change the ways equipment manufacturers
            describe inputs and outputs - in the interests of avoiding
            interoperability issues and unexpected results.</div>

          
<div><br clear="none">
          </div>

          
<div>Bill Whitlock</div>

          
<div>AES Life Fellow</div>

          
<div>Ventura, CA<br clear="none">
            <br clear="none">
            <br clear="none">
            
<div style="font-family:arial, helvetica;font-size:10pt;color:black;"><font size="2">-----Original Message-----<br clear="none">
                From: Dan Lavry via ProAudio <a shape="rect" class="yiv6022184408moz-txt-link-rfc2396E" ymailto="mailto:proaudio@bach.pgm.com" href="mailto:proaudio@bach.pgm.com" target="_blank" rel="noreferrer noopener"><proaudio@bach.pgm.com></a><br clear="none">
                To: <a shape="rect" class="yiv6022184408moz-txt-link-abbreviated" ymailto="mailto:crispin@crookwood.com" href="mailto:crispin@crookwood.com" target="_blank" rel="noreferrer noopener">crispin@crookwood.com</a>; <a shape="rect" class="yiv6022184408moz-txt-link-abbreviated" ymailto="mailto:proaudio@bach.pgm.com" href="mailto:proaudio@bach.pgm.com" target="_blank" rel="noreferrer noopener">proaudio@bach.pgm.com</a><br clear="none">
                Sent: Fri, Jun 11, 2021 6:24 pm<br clear="none">
                Subject: Re: [ProAudio] Microphones question<br clear="none">
                <br clear="none">
                </font>
<div dir="ltr">Yes of course the input noise has to be
                  taken into account AFTER <br clear="none">
                  amplification. So say a micpre has 120dBu noise
                  (referenced to the <br clear="none">
                  input), with say 60dB gain the noise is at 60dBu. That
                  is easy to <br clear="none">
                  measure and hear...<br clear="none">
                  <br clear="none">
                  My point of interest was not about measuring
                  microphones. But we have <br clear="none">
                  dynamic, ribbon and condenser with phantom, and a wide
                  range of <br clear="none">
                  implementations in each category. So the use of one
                  value resistor seems <br clear="none">
                  to be arbitrary. I mentioned earlier that the input
                  noise is made of <br clear="none">
                  both noise voltage and noise current components. The
                  noise current <br clear="none">
                  (today's technology) will have low impact for 150 Ohms
                  resistor. So why <br clear="none">
                  is the resistor there? The answer is to give us a
                  better idea of how the <br clear="none">
                  micpre works with a mic instead of a short. And so we
                  lump all mics into <br clear="none">
                  a simple model. A 150 Ohm resistor.<br clear="none">
                  <br clear="none">
                  I think we should remove that 150 Ohm resistor. The
                  resistor noise is <br clear="none">
                  -130.9dBu (room T). If future technology will enable a
                  shorted input <br clear="none">
                  micpre to reach 130dBu noise (referenced to input with
                  acceptable gain), <br clear="none">
                  the outcome with 150 Ohm is -127.4dBu. Further down
                  the line,135dBu <br clear="none">
                  noise (referenced to input) only improves the outcome
                  to -129.5dBu.<br clear="none">
                  <br clear="none">
                  I just wonder if there is some information about the
                  real impedance of <br clear="none">
                  real mics including different types relative to that
                  150 Ohm. It would <br clear="none">
                  be good to have some better detail...<br clear="none">
                  <br clear="none">
                  Regards<br clear="none">
                  <br clear="none">
                  Dan Lavry<br clear="none">
                  <br clear="none">
                  On 6/11/2021 1:32 PM, Crispin HT wrote:<br clear="none">
                  > I'm not a mic expert, but in designing preamps
                  over the years, we’ve found that the EIN of most mics
                  sits around the -118 to -122dB mark.<br clear="none">
                  ><br clear="none">
                  > The relevance of this, is that you need to
                  amplify a mic, and it's noise to use it.  Often quiet
                  mics have low outputs, so need to be amplified more,
                  and the real test of a mic pre's EIN is not at 60dB
                  gain, getting an EIN of better than -124dB at gains
                  around the 20-40dB.<br clear="none">
                  ><br clear="none">
                  > Hope this helps.<br clear="none">
                  ><br clear="none">
                  > Kind Regards<br clear="none">
                  > Crispin Herrod-Taylor<br clear="none">
                  > Managing Director, Crookwood<br clear="none">
                  > <a shape="rect" class="yiv6022184408moz-txt-link-abbreviated" href="http://www.crookwood.com/" target="_blank" rel="noreferrer noopener">www.crookwood.com</a><br clear="none">
                  > Tel: +44 (0)1672 811 649<br clear="none">
                  > Mobile:+44(0)7910 637 634<br clear="none">
                  >  <br clear="none">
                  > Sign up for our great newsletter here! and keep
                  up to date with the audio world<br clear="none">
                  ><br clear="none">
                  > -----Original Message-----<br clear="none">
                  > From: ProAudio <<a shape="rect" ymailto="mailto:proaudio-bounces@bach.pgm.com" href="mailto:proaudio-bounces@bach.pgm.com" target="_blank" rel="noreferrer noopener">proaudio-bounces@bach.pgm.com</a>>
                  On Behalf Of Dan Lavry via ProAudio<br clear="none">
                  > Sent: 11 June 2021 20:44<br clear="none">
                  > To: <a shape="rect" ymailto="mailto:proaudio@bach.pgm.com" href="mailto:proaudio@bach.pgm.com" target="_blank" rel="noreferrer noopener">proaudio@bach.pgm.com</a><br clear="none">
                  > Subject: Re: [ProAudio] Microphones question<br clear="none">
                  ><br clear="none">
                  > My question is about mic output impedance, in
                  relation to noise:<br clear="none">
                  ><br clear="none">
                  > Both the mic and the micpre contribute to noise.
                  The micpre generates some noise voltage which can be
                  measured by replacing the mic with a short (0 Ohm).
                  But there is also mipre generated noise current, which
                  is no problem for 0 Ohm, but real mics have some
                  impedance...<br clear="none">
                  ><br clear="none">
                  > At some point, it was decided to model a mic
                  noise with replacing the mic with 150 Ohm resistor.  I
                  am not proposing to change it, just trying to
                  understand why 150 Ohm.<br clear="none">
                  ><br clear="none">
                  > The value 150 Ohm makes 1.568nV/sqrtHz (at room
                  temp), so for 20H-20KHz noise voltage of .225uV. Given
                  that we are interested in noise power, we can use the
                  dBu scale to realize that the resistor itself sets a
                  limit on the noise floor at -130.9dBu. But say the
                  impedance is 1K, then we have -122.8dBu.<br clear="none">
                  ><br clear="none">
                  > I assume that the resistor modeling is a
                  simplification. I would be interested in comments from
                  the mic experts here.<br clear="none">
                  ><br clear="none">
                  > Thank You<br clear="none">
                  ><br clear="none">
                  > Dan Lavry<br clear="none">
                  ><br clear="none">
                  ><br clear="none">
                  > --<br clear="none">
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      <pre><font face="3D"Courier"">

If you want good sound on your album, come to
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