<html><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8"></head><body dir="auto"><div dir="auto">Hello Corey, </div><div dir="auto"><br></div><div dir="auto">When I say "I am old", I mean old enough to recall my father coming home with a stereo equipment made in Germany, which included a demo. Much of it was the sound of a train moving from the right to the left (or left to right), and of course the famous ping pong demonstration - left, right, left...</div><div dir="auto">The beatles came later...</div><div dir="auto"><br></div><div dir="auto">Regards</div><div dir="auto">Dan Lavry</div><div dir="auto"><br></div><div dir="auto"><br></div><div dir="auto"><br></div><div id="composer_signature" dir="auto"><div style="font-size:85%;color:#575757" dir="auto">Sent from Samsung Galaxy smartphone.</div></div><div dir="auto"><br></div><div><br></div><div align="left" dir="auto" style="font-size:100%;color:#000000"><div>-------- Original message --------</div><div>From: Corey Bailey Audio Engineering via ProAudio <proaudio@bach.pgm.com><font face="sans-serif-condensed">Corey</font></div><div>Date: 4/26/21 11:04 AM (GMT-08:00) </div><div>To: Louis Judson via ProAudio <proaudio@bach.pgm.com> </div><div>Subject: Re: [ProAudio] Lossless audio on YouTube </div><div><br></div></div>
<p dir="auto"><font face="Arial">Although I don't know the technical history of
Abbey Road Studios, it may have been impossible to position
individual channels due to lack of panners. Hence, the hard left
& right assignments. I remember thinking at the time: "They
can't do that!."<br>
</font></p>
<p dir="auto"><font face="Arial">Just speculation.</font></p>
<p dir="auto"><font face="Arial">To quote Dan Lavry: "I am old",</font></p>
<p dir="auto"><font face="Arial">CB<br>
</font></p>
<pre cols="72" class="moz-signature" dir="auto">Corey Bailey Audio Engineering
<a href="http://www.baileyzone.net" class="moz-txt-link-abbreviated">www.baileyzone.net</a></pre>
<div class="moz-cite-prefix" dir="auto">On 4/26/2021 10:33 AM, Louis Judson via
ProAudio wrote:<br>
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<blockquote type="cite" dir="auto">
Grey cells indeed! Made me get it out and listen again.
<div class=""><br class="">
</div>
<div class="">For my taste the 2017 remix is the best of all. I’ll
need to go back and check Recording the Beatles to see who did
the after hours stereo mix in 67,,, As I recall it wasn’t George
Martin. ??<br class="">
<div class=""> <span style="border-collapse: separate; color: rgb(0, 0, 0);
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<div class="" style="word-wrap: break-word; -webkit-nbsp-mode: space;
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separate; color: rgb(0, 0, 0); font-family: 'Comic Sans
MS'; font-style: normal; font-variant-ligatures: normal;
font-variant-caps: normal; font-variant-east-asian:
normal; font-variant-position: normal; font-weight:
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orphans: 2; text-indent: 0px; text-transform: none;
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none; -webkit-text-stroke-width: 0px;" class="Apple-style-span">
<div class=""><L><br class="Apple-interchange-newline">
Lou Judson * Intuitive Audio</div>
<div class="">415-271-8070 mobile</div>
<div class=""><br class="">
</div>
<div class="">
<div class="">I'm just a simple sound engineer,
nothing more, nothing less.</div>
<div class="">-- paraphrase of the Dalai Lama.</div>
</div>
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<blockquote class="" type="cite">
<div class="">On Apr 25, 2021, at 8:47 AM, Louis Hone via
ProAudio <<a class="" href="mailto:proaudio@bach.pgm.com">proaudio@bach.pgm.com</a>>
wrote:</div>
<br class="Apple-interchange-newline">
<div class="">
<div style="font-style: normal;
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0px; text-transform: none; white-space: normal;
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font-family: 'trebuchet ms', sans-serif; font-size:
small;" class="gmail_default">In the opening number, Paul is on one side but
the chorus is on the other and then slowly pans to the
middle and Paul takes over on the other side.</div>
<div style="font-style: normal;
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0px; text-transform: none; white-space: normal;
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font-family: 'trebuchet ms', sans-serif; font-size:
small;" class="gmail_default"><br class="">
</div>
<div style="font-style: normal;
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0px; text-transform: none; white-space: normal;
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font-family: 'trebuchet ms', sans-serif; font-size:
small;" class="gmail_default">In 1967 most stereo albums had set the format
with vocals + bass center. </div>
<div style="font-style: normal;
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letter-spacing: normal; text-align: start; text-indent:
0px; text-transform: none; white-space: normal;
word-spacing: 0px; -webkit-text-stroke-width: 0px;
font-family: 'trebuchet ms', sans-serif; font-size:
small;" class="gmail_default">I think one of the reasons this album is so
fabulous is that they more or less said "there are no
rules or recipes - anything goes." </div>
<div style="font-style: normal;
font-variant-caps: normal; font-weight: normal;
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0px; text-transform: none; white-space: normal;
word-spacing: 0px; -webkit-text-stroke-width: 0px;
font-family: 'trebuchet ms', sans-serif; font-size:
small;" class="gmail_default">They used the panorama very creatively. You
don't get much of that anymore.</div>
<div style="font-style: normal;
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letter-spacing: normal; text-align: start; text-indent:
0px; text-transform: none; white-space: normal;
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font-family: 'trebuchet ms', sans-serif; font-size:
small;" class="gmail_default">I don't care for the mono remix from the Mono
Box Set. For my taste, it's over compressed and harsh.</div>
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