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<div dir="auto">My only comment is that all sample rate converters are not the same. Study and listen. We've (Mayfield Mastering) spent a bunch of time doing that, and use an external software based. Expensive, but best we've found to date. </div><div dir="auto"><br></div><div dir="auto">Glenn Meadows </div><div dir='auto'><br></div>
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<p style="color: black; font-size: 10pt; font-family: sans-serif; margin: 8pt 0;">On February 15, 2020 6:57:00 PM Bob Olhsson via ProAudio <proaudio@bach.pgm.com> wrote:</p>
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<div class="WordSection1"><p class="MsoNormal">By the same token, the reason to down-sample is to save space. We don’t actually record at 48k. We record at much higher sample rates and then down-sample to save storage.</p><p class="MsoNormal"><o:p> </o:p></p><p class="MsoNormal">The real issue is when and by how much should we down sample. For production, many of us feel down-sampling to no less than 96k yields better sounding signal processing in a final 48 or 44.1k product than a chain of up and down-sampled processes. It’s all about easier filtering.</p><p class="MsoNormal"><o:p> </o:p></p><p class="MsoNormal">Bob Olhsson 615-562-4346</p><p class="MsoNormal"><o:p> </o:p></p><div style="mso-element:para-border-div;border:none;border-top:solid #E1E1E1 1.0pt;padding:3.0pt 0in 0in 0in"><p class="MsoNormal" style="border:none;padding:0in"><b>From: </b><a href="mailto:proaudio@bach.pgm.com">Dan Lavry via ProAudio</a>:The reason to up sample is to enable easier filtering. <o:p></o:p></p></div><p class="MsoNormal"><o:p> </o:p></p></div>
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