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<p><font face="Arial">The Otari MTR-15 has Dolby HX Pro available as
well.</font></p>
<p><font face="Arial">~CB</font><br>
</p>
<pre class="moz-signature" cols="72">Corey Bailey Audio Engineering
<a class="moz-txt-link-abbreviated" href="http://www.baileyzone.net">www.baileyzone.net</a></pre>
<div class="moz-cite-prefix">On 2/11/2020 10:42 AM, Alan Garren via
ProAudio wrote:<br>
</div>
<blockquote type="cite"
cite="mid:3a9712db-579b-abde-8802-f7e164a6092f@waltzingbear.com">On
2/11/2020 10:12 AM, John Chester via ProAudio wrote:
<br>
<blockquote type="cite">Why does perfect azimuth adjustment
usually not produce minimum interchannel time difference? The
most obvious answer is gap scatter in the record head, but there
are others. Record EQ may not be precisely matched, and bias
setting may be different. Recording occurs at a point slightly
past the trailing edge of the record head gap, and that distance
varies as bias level changes.
<br>
</blockquote>
<br>
<br>
This causes me to wonder if you have had to try this on an HX
processed tape. I am only aware of one pro deck with HX Pro, the
studer A820, and most people leave it turned off anyway. But it is
there on some later models. (possibly on the A827 as well, can't
remember)
<br>
<br>
Seems like a horror story for your process, chasing a HF modulated
bias level.
<br>
<br>
<br>
Cheers
<br>
<br>
Alan
<br>
<br>
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</blockquote>
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