<html><head><title>Re: [ProAudio] Removing Crosstalk Was: stereo perception throughheadphones</title>
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<span style=" font-family:'Times New Roman'; font-size: 12pt;">Hello Bob,<br>
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"<span style=" font-family:'calibri'; font-size: 11pt;"> Tom had loaned us his 1” alignment tape to get our machine up and running. I later learned that Ampex only made that one and were not planning to make any more."<br>
<span style=" font-family:'Times New Roman'; font-size: 12pt;">"Only one" alignment tape or tape recorder?<br>
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On Sunday, February 2, 2020 at 13:31, you (Bob Olhsson via ProAudio) wrote:<br>
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<td><span style=" font-family:'calibri'; font-size: 11pt;">Tom Dowd told me we pioneered modern multitrack recording. He had only used Atlantic’s second-ever machine for a safety and for stereo remix capability on live to mono dates. John told me he excitedly told Les Paul about that machine at the next AES show and to his surprise, Paul was ready to slug him. I told that story to Dowd and he said Les Paul’s machine had “problems” and he’d had to make some pretty major changes to get Atlantic’s to work. Tom had loaned us his 1” alignment tape to get our machine up and running. I later learned that Ampex only made that one and were not planning to make any more.<br>
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Anyhow my point is to give you a little context for John’s work.<br>
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Bob Olhsson 615-562-4346 </td>
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<span style=" font-family:'calibri'; font-size: 9pt; color: #c0c0c0;"><i>-- <br>
Best regards,<br>
Jay McKnight <br>
at<br>
Magnetic Reference Laboratory, Inc </i></span><a style=" font-family:'calibri'; font-size: 9pt;" href="mailto:mrltapes@comcast.net">mailto:mrltapes@comcast.net</a><br>
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